While I'm waiting for yesterday's painting to dry I thought I'd post an older painting to show how I used to leave the edges of the board unpainted so that I wouldn't lose any of the composition once I framed the painting. Now I paint to the edge (keeping in mind I'm going to lose the edges) which allows me to wiggle the painting in the frame for minor compositional adjustments. This painting was done on January 1, 2001.
"New Years' Composition", 3 3/4 x 3 inches, oil on board, POR
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